Tap, tipetty, tap, tippetty, tap, go my feet along to my favorite songs on the MP3 player. Easy as pie, my head hears the beat and my feet they automatically know what to do. Oh dear fates now I am singing along and I have a voice that the local foxes and tomcat would be proud of.
When it involves music, its instinctive, you hear the beat and something in you knows what to do, connects on that cellular level that we are all instinctively looking for when we write. Music moves us, and we don’t have to do a thing……
Writing is different, it takes a lot of shitty firsts just to get the language right and once we’ve completed that and it’s readable we then look to structure. How long is this bad boy? Do I really need 120,000 words to say this or could I use fifty grand instead?
Where do I show? Start as close to the end as possible you say okay, “The End”, doesn’t seem that effective, begging your pardon. Use a hook for every paragraph? Are you fecking kidding me?
Okay, now I am exhausted reading it, so that doesn’t work.
This is my nemesis now, the rise and fall. I am not writing a thriller. So having my characters fall from one calamity to the next every paragraph doesn’t quite suit, I want drama and tension to come through, but I don’t want to manufacture nasty stuff to happen just because everyone tells you that you must have your character in deep doo-doo all the time. I am not sure it’s right.
Tension,is what I am trying to create and then resolution and then further tension, my novel should rise and fall like the ocean, sweeping the reader along with it. Disaster, then climax then build again. I want it believable and musical. I want my readers emotions to travel with them on the journey and whilst some of this is achieved by likeability and hateability of the central characters. A lot of this will happen via the structure and flow.
My perfect reader will be on a journey with my characters towards realisation. Not all my characters make it. In fact many that start the journey will fall and their friends and family will be irrevocably altered by their loss. Some for good and some for ill.
It’s creating that wave-like structure that I am finding the most challenging (along with everything else.) I seem to either have too much happening or too little, it’s such a fine balance.
I’d welcome suggestions from others who’ve struggled with the topic of pacing?
Are there any great craft books, you know of that deal essentially with this topic rather than anything else?
- EAS 1 – Hook Your Reader! (stonehengewriters.wordpress.com)
- The Principles of Dramatic Structure: What is Rising Action? (homework.answers.com)
- What goes where (madgeniusclub.com)
- Suspense..Dun Dun Dun… (neilsehmbhy.wordpress.com)
- Lessons From Lion King: Creating Tension (writerlaurenclaire.wordpress.com)
- Guest Post: On Writing Tension and Suspense (addictivestory.wordpress.com)
- Storymakers Conference (litandscribbles.wordpress.com)